Ia Golubeva

Selene Book Selene Book is a sans-serif font family designed by Leonardo Di Lena and derived from Selene. The font is based on geometric forms with as few improving legibility optical corrections as possible. If you need a minimalist font, technical but friendly and elegant, this is your choice. There are glyphs for all languages ​​with Latin, Greek and Cyrillic alphabets, all the basic ligatures, old style numerals and five Latin capitals alternates that catches the 1900-1950 font styles. Selene Book Download Now View Gallery

Saes Grotesk Saes Grotesk is inspired by the first sans serif typefaces from the XIX century. In America, these sorts of fonts were called Gothics, in Britain Grotesques, and Grotesks in Germany; despite these different labels, they pointed out two things: the lack of refinement and the change of type paradigm. The creation of Saes follows that idea and mixes it with contemporary aesthetic features.   Some letter endings like “a”, “c”, or “e” were projected a bit further, providing a contemporary vibe. On the other hand, we squared the grotesk “g” and linked it with the ligatures features to give a weird-good-looking texture when it is used to compose texts. We also looked at many old grotesk font specimens, and ink errors pop up in front of our noses. For instance, the bar of the pound symbol was slightly uneven; thus, we took these mistakes and put them in some letters as details, which enrich the organic vibe and make the entire font a lot funnier.   In general, the main idea

Download Now Server 1 Download Now Server 3 Download Now Server 2 Slowglass is a geometric semi-serif typeface accompanied by flamboyant geohumanist italics. Slightly defiant wedge serifs and wide stance are balanced with softly rounded strokes for an overall friendly tone. Stylistic alternates include text forms for increased legibility as well as unicase variants partly inspired by uncial scripts, available both as font features and in complementary font subfamilies: Slowglass Alt and Slowglass Text. With over 1500 glyphs per weight, the fonts support 80+ Latin-based languages including Vietnamese, 14 Cyrillic-based languages and polytonic Greek. OpenType features: Six sets of figures: proportional & tabular — oldstyle, lining & petite (ss20) Superscript and subscript figures Fractions, numerators, denominators Optional slashed zero Case-sensitive form

Download Now Server 1 Download Now Server 3 Download Now Server 2 Munchies is a reverse contrast slab-serif font family. Inspired by the volume and size of 19th century wood letterpress blocks and the Italian Caslon language. Munchies has 12 variants, from Heavy to Thin, with opentype options in a set consisting of uppercase, lowercase, small caps, ligatures, and alternate letters (A, M, N, V, W, &, Arrows, *). Munchies is divided into two subfamilies: Normal and Display. The Normal style has an appearance reminiscent of Western posters with a “measured” contrast. While the Display style takes the contrast to the extreme. Both styles are also available in Variable version. The inverted contrast makes it an interesting and striking looking typeface that stands out in any context. Perfect for headlines, bold branding, or animation like kinetic typeface. Downl

Download Now Server 1 Download Now Server 2 Download Now Server 3 For a versatile timeless look that's sure to bring any groovy graphic idea to life, we have dubbed this offering: Pure Psychedelia . This condensed font is shot through with twin strands of modernized Art Nouveau and reimagined 1960s psych. This classic stylistic mélange is distilled down to a heady mix of hippy-trippy lava lamp blobs and assertively pointy end tapers, for a unique vibe and a dynamic linear flow. Download Pure Psychedelia Fonts Family From Mysterylab Download Pure Psychedelia Fonts Family From Mysterylab

Download Now Server 1 Download Now Server 2 Download Now Server 3 The P22 Underground Pro font family started in 1997 as the first and only officially licensed revival of Edward Johnston ’s London Underground railway lettering. The original design by Richard Kegler sought to be as true to the original as possible. In 2007 P22 revised and expanded the fonts into a massive character set with additional weights, language support, and stylistic alternates. Endeavoring to make this font family a more versatile and useful tool for a designer, P22 sought to add true italics to this stalwart type design. The only other existing italic interpretation of Johnston’s Underground type was executed by the inimitable Dave Farey and Richard Dawson at Housestyle Graphics. We asked Dave Farey to imagine an Underground italic that would pair well with the P22 Underground, done as if Edward Johnston himself might approach the design challenge. This new italic version was then expanded for all six of th

Download Now Server 1 Download Now Server 3 Download Now Server 2 Human Sans is a humanist sans serif font created as an experiment. The goal, how much a simple substitution of a small set of characters could change a font's nature. In its base form, Human Sans is a humanist sans serif geared toward text. However, through stylistic sets, it can adopt a myriad of different visual styles. This includes geometric alternates, uncials alternates, contextual swash caps, and the high and low midlines, typically seen in Art Deco lettering. These features are combinable for whatever look you may need. Human Sans comes with a full set of diacritics, in 9 weights and corresponding Italics. Download Human Sans Fonts Family From Ian Farnam

Download Now Server 1 Download Now Server 2 Download Now Server 3 Cartes has a bit of a strange origin story, as far as fonts go. It’s a combination of ideas from 1920’s advertising and hand-painted letters from the 1500s. The typeface was designed to flow with elegance and speed yet retain a sense of the handmade. The serifs flow with indentations implying movement and terminate with inky globules that lend your copy a sense of gravitas. This typeface can be used for headlines, short texts, posters, logos, headlines, headlines in big sizes or just as easily for ad text. At large sizes, pen strokes can be seen that give the typeface a touch of humanity and vigor. At smaller sizes the type is still unique, but readable. Download Cartes Fonts Family From insigne Download Cartes Fonts Family From insigne

Download Now Server 1 Download Now Server 2 Download Now Server 3 Creating the condensed version for the Brandon Text was the missing project to complete the Brandon series. Brandon Text was created as a companion to Brandon Grotesque . When we started to designed Brandon Grotesque Condensed we felt that there should also a condensed counterpart for small sizes; so we made Brandon Text Condensed . While a condensed typeface is not just a squeezed original, we took the Grotesque Condensed as a starting point for the Text Condensed version simultaneously we also kept an eye on Brandon Text to find the perfect missing variables. Download Brandon Text Condensed Fonts Family From HVD Fonts Download Brandon Text Condensed Fonts Family From HVD Fonts

Download Now Server 1 Download Now Server 3 Download Now Server 2 For nearly 90 years, Paul Renner’s Futura has been as popular as it is versatile—from children’s books to fashion magazines to the plaque on the Moon. Futura is a typographic icon. Futura Now offers designers a chance to see Futura with fresh eyes. It’s more truly Futura-like than any digital version you’ve ever worked with. “It brings some much-needed humanity back to the world of geometric sans serifs,” says Steve Matteson, Monotype ’s Creative Type Director who led the design team. “Despite its reputation as the ultimate modern typeface, Futura Now is surprisingly warm,” he explains. “It’s just as at home set next to a leafy tree as it is next to a stainless-steel table, because it skillfully navigates the border between super-clean geometry and humanist warmth. Futura Now —the definitive Futura

Download Now Server 1 Download Now Server 2 Download Now Server 3 A functional, constructive sans-serif with universal, geometric forms. Dedicated to the life and work of Bauhaus pioneer Josef Albers, the typeface follows a disciplined approach to composition using a limited palette of modular blocks. II Vorkurs has 3 weights and 6 styles with extensive latin language support and squared, stylistic alternates.  Download II Vorkurs Fonts Family From Increments Download II Vorkurs Fonts Family From Increments

Download Plateau Five Fonts Family From René Rieger Plateau Five is a display typeface with an appearance mostly based on forms of the ­transitional period between Baroque and Neo-Classicism and has an underlying rigid structure. Its capital letters are heavy, the serifs ­prominent and the generally expressive tone that comes with italics is muted. Plateau Five is based on the principle of even distribution, rooted in the social ideas that emerged with modernity during the 1920s in the western world. Applied to the typeface at hand this means that most letter widths of the Latin ­characters are optically equal. Although patterning, i. e. defining grids for letters, might have been around since textura type to provide a less laborious production process of letter punches, the aspect of construction was well documented in the 18th century with the commission of a typeface by French royalty and rose to prominence between the two world wars with ideas by a. o. Theo

Download Now Server 1 Download Now Server 2 Download Now Server 3 Egyptian ephemera is a typeface inspired from basic block lettering, widely used in art and craft of sign writing. 5 styles available from light to bold. and for the first time it is also available as variable fonts. One of the uniqueness of this font is the small spur on each stem, and the terminal, which intends to simulate an entry and end brush stroke. OpenType features support such as Smallcaps, Tabular Figure, Superscript, and 2 alternate of ampersands. This typeface was created for Display needs, such as headlines, signage, logotype, badges design, packaging, etc. Download Ephemera Egyptian Fonts Family From Ephemera Fonts Download Ephemera Egyptian Fonts Family From Ephemera Fonts

Download Now Server 1 Download Now Server 2 Download Now Server 3 Lincoln Electric started its life as an in-house experimental film type Thomas Lincoln drew shortly after concluding his work as part of Herb Lubalin’s famed crew in the late 1960s,. The master alphabet was drawn on illustration boards using pen and ink and press-type lines. The typeface was initially made for use in the branding and promotional material of Lincoln’s new design outfit.  This alphabet’s forms are a spin on Bifur , the all-cap deco face designed by Adolphe Mouron (known as Cassandre) in 1929, and published by the Deberny & Peignot foundry in France. Lincoln Electric evolves Cassandre’s idea further by constructing new shapes more in line with minimalist principles rather than art deco geometry — something clearly evident in Lincoln’s minuscules, which exhibit a clear connection to Bauhaus ideas More than 50 years after the typeface’s design, Thomas Lincoln found the original film alphabet tucked away

Download Now Server 1 Download Now Server 3 Download Now Server 2 Cairoli was originally cast by Italian foundry Nebiolo in 1928, as a license of a design by Wagner & Schmidt, known as Neue moderne Grotesk. Its solid grotesque design (later developed as Aurora by Weber and Akzidenz-Grotesk by Haas) was extremely successful: it anticipated the versatility of sans serif superfamilies thanks to its range of weights and widths, while still retaining some eccentricities from end-of the century lead and wood type.  In 2020 the  Italiantype  team directed by Cosimo Lorenzo Pancini and Mario De Libero decided to produce a revival of Cairoli, extending the original weight and width range and developing both a faithful  Classic  version and a  Now  variant. The  Cairoli Classic  family keeps the original low x-height range, very display-oriented, and normalizes the desig

Download Cairoli Now Fonts Family From Italiantype Cairoli was originally cast by Italian foundry Nebiolo in 1928, as a license of a design by Wagner & Schmidt, known as Neue moderne Grotesk. Its solid grotesque design (later developed as Aurora by Weber and Akzidenz-Grotesk by Haas) was extremely successful: it anticipated the versatility of sans serif superfamilies thanks to its range of weights and widths, while still retaining some eccentricities from end-of the century lead and wood type.  In 2020 the  Italiantype  team directed by Cosimo Lorenzo Pancini and Mario De Libero decided to produce a revival of Cairoli, extending the original weight and width range and developing both a faithful  Classic  version and a  Now  variant. The  Cairoli Classic  family keeps the original low x-height range, very display-oriented, and normalizes the design while emphasizing the original peculiarities like the hook cuts in curved letters, the high-waisted uppercase R a

Download Now Server 1 Download Now Server 2 Download Now Server 3 A geometric sans serif typeface influenced by Bauhaus and the early modernist era. Precise shapes are optically adjusted to create a clear, natural typeface with excellent legibility. Corbert is a regular, self-evident design that works well across a wide range of applications. Details include nine weights with matching italics and over 540 characters per style. Opentype features consist of five variations of numerals, including inferiors, superiors, fractions, alternative lowercase a, e and g, and language support covering Western, South, and Central Europe. Download Corbert Wide Fonts Family From The Northern Block Ltd Download Corbert Wide Fonts Family From The Northern Block Ltd

Download Now Server 1 Download Now Server 3 Download Now Server 2 A new vintage display typeface by Ilham Herry. Started from the passion of collecting the old tin packaging with classic labels on it, the layout and composition make Ilham pretty inspired and the urge of crafting the letters is getting bigger since that day. That's what comes first as a motivation in making this Ephemera Kingsford typeface.Adapted and referencing from the real physical collectible old tins and cans to a single pack of digital fonts asset. Packed up with 9 layered fonts, 1 font as a pair, and of course ornaments and vintage panels as a vector file.Perfectly fit for display printing, handcrafted product, screen printing industry such as apparel, packaging, labels, and also sign painting, scrapbook, glass gilding, et cetera. Not every visual can go vintage but if you want to, ther

Download Now Server 1 Download Now Server 2 Download Now Server 3 Rotunda blends the best of three worlds: it’s geometric, humanist and grotesque. But, far from being a tasteless hybrid, it has a strong personality and British undertones that turn it into a stylish and sober classic font face. Thanks to its ample character set and many variables, it stands as a versatile, all-terrain font. Strong and elegant, modern and classic, firm and humanistic. It truly is a 21st Century classic. It includes a very thorough coverage for a wide variety of Latin alphabet-based language families. Download Rotunda Fonts Family From TipoType Download Rotunda Fonts Family From TipoType