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[aggen] Download Lina sans fonts from Zaza type

Lina sans Lina sans is an Arabic typeface from Lina type family, it expresses modern vigor based on simplicity and clarity. It's Strong, Bold, legible, clear, simple, Modern. With a handful set of OpenType features and alternatives. Lina type family consists of Lina soft, Lina sans , Lina round. the design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina sans was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Lina sans consists of 7-weight versions from thin to bold. Lina sans Download Now View Gallery

Balaleen fonts from banfeeltype - (ythsn)

Balaleen Balaleen arabic & latin typeface is a cute layered hand-drawn font designed by Adel Banfeel, Inspired by balloons effects, this font is easy to read, and easy to play with 5 different styles, line, solid with line, solid with effect, line with effect or mix all styles. To do so, you can simply superimpose them with a compatible software like Photoshop, then choose a color for each, making your works charming and unique. This font, finely designed for cards, book titles, headlines or any artworks. Balaleen Download Now View Gallery

[prcqbdbrxh] Download Avenir Next World Fonts Family From Linotype

Download Now Server 1 Download Now Server 2 Download Now Server 3 The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines.   In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next   to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family.    Since then, Monotype expanded the typeface to accommodate more l

[ijcsdfwqzz] Download Manchette Fonts Family From Abjad

Download Now Server 1 Download Now Server 3 Download Now Server 2 Manchette is an Arabic headline typeface that was inspired by the hand-written Naskh newspaper headlines during the 60s-70s era in the Arab world. The word "manchette" is a french word, that means headline. It was used mainly by the Egyptian calligraphers and designers. The typeface presents sharp and contemporary details, while taking into consideration the original Naskh rules to echo the elegancy of the hand-written titles. Featuring many opentype features, such as contextual alternates, ligatures, and a small set of stylistic alternates. The typeface also features a dynamic Kashida that can be controlled through the variable fonts technology in the Variable GX file which contains all the weights as well. Download Manchette Fonts Family From Abjad

oedveylhcd Download Barbaros Fonts Family From MoodyType

Download Now Server 1 Download Now Server 3 Download Now Server 2 An Art Deco condensed display sans font with 8 styles, +800 glyphs, +100 ligatures, +30 languages and many opentype features. It is perfect for poster designs, magazines, book covers, logotypes, headlines, newspapers and press. It's bold, daring, modern, geometric and covers a good range of weights from light to block. Download Barbaros Fonts Family From MoodyType

Download Araboto Fonts Family From FarahatDesign

Download Araboto Fonts Family From FarahatDesign Araboto is a simple geometric Arabic typeface, with six weights. You can use it in a variety of uses from printings to web and mobile. Download Araboto Fonts Family From FarahatDesign Download Now View Gallery

Download Madani Arabic Fonts Family From Namela

Download Madani Arabic Fonts Family From Namela Madani Arabic is new version of Madani with the addition of Arabic glyphs, for Arabic, Urdu, and Farsi. Basic form for arabic font is refers to the arabic kufi style, with a geometric approach to harmony with Latin. Download Madani Arabic Fonts Family From Namela Download Now View Gallery

Download Iwan Zaza Fonts Family From Zaza type

Download Now Server 1 Download Now Server 3 Download Now Server 2 Iwan Zaza is a high-contrast modern Arabic typeface designed by Ahmed Zaza. The design is inspired by the Kufi calligraphic style and influenced by the Naskh style. Iwan balances classic and contemporary tastes with wide open counters and short ascenders and descenders that minimize the hight. And has a high - contrast between the vertical and the horizontal to line up in harmony with Latin. And openType alternates and ligatures set. This makes it suitable for branding, editorial, packaging and advertising. Iwan features five weights from Light to Black, and supports OpenType features for Arabic, and has a wide glyph set. Download Iwan Zaza Fonts Family From Zaza type

Download Sultan Nizar Pro Fonts Family From Sultan Fonts

Download Sultan Nizar Pro Fonts Family From Sultan Fonts In 2014 I designed the Nizar font here https://www.myfonts.com/fonts/sultan-fonts/sf-nizar/ It was prompted with great interest by graphic designers, today I am developing the Nizar Pro font, this font does not replace the previous Nizar font but rather continued it, in a way that does not depend on the literal transmission of Nizar Qabbani's method of writing, as the new script relied on the inspiration of Nizar's writing and imparting it Improvements and corrections to the previously designed Ruqah script rules found here https://www.myfonts.com/fonts/sultan-fonts/sultan-ruqah/ The Nizar Pro font includes wide and Normal pens, so it provides all flexibility for the user to process the text and creative work.  The font Nizar Pro includes Arabic, Persian, Kurdish, Urdu and Latin languages In the font Nizar Pro has many of OpenType features  Download Sultan Nizar Pro Fonts Family From Sultan Fonts

Download Yanson Fonts Family From Younestype

Download Now Server 1 Download Now Server 3 Download Now Server 2 This Arabic typeface family was created by Younes Alaboudi. Yanson proudly incorporates a timeless geometric style with humanistic nuances. Featuring three weights from Light to Bold, Yanson supports OpenType features for Arabic. Download Yanson Fonts Family From Younestype

Download Palsam Pro Fonts Family From Abjad

Download Palsam Pro Fonts Family From Abjad Since the beginning, Palsam was intended to be a super multilingual family, with a real cursive Arabic companion, and a display cut. The typeface was designed to be used for setting text and titles of contemporary Arabic content, specially magazines, and websites. The Arabic and Latin scripts were designed at the same time, to make a true authentic bilingual typeface. Both scripts have affected each other in several ways through the entire design process, which happened within ten years. Palsam has an inviting, approachable, fashionable and humanist look. Thanks to its low contrast, open apertures, detailed calligraphic strokes, and smooth counters, which also make it easy to read at smaller sizes. The main highlight for Palsam was the Cursive companion. For the first time, the calligraphic Ijaza style was used as a model for designing the Arabic cursive. Since the Ijaza is a hyper combination of Naskh and Thuluth, which

Download Aristotelica Pro Fonts Family From Zetafonts

Download Now Server 1 Download Now Server 3 Download Now Server 2 Aristotelica Pro   is the 2020 redesign of the rounded geometric sans designed by  Cosimo Lorenzo Pancini and  Andrea Tartarelli  developing the original philosophy of one of the classic and best-selling  Zetafonts typefaces,  Arista  by  Francesco Canovaro . Originally conceived as an exercise in restraint and simplicity,  Aristotelica  is typographic eulogy to the simple beauty of circular shapes, aptly named after the greek philosopher who pioneered formal logic. It shows its strengths mostly in  display uses and logo design , with a palette of moods ranging from the stark elegance of the uppercase hairline weights to the playful softness of the lowercase bold weights. True to its universalist calling, it has however been developed in a variant  text version  that applies slight corrections to de

Download Lavah Pro Fonts Family From Protype

Download Lavah Pro Fonts Family From Protype Lavah Pro is the upgrade from old version of Lava Arabic 1.0. It's Arabic condensed/narrow with grunge and rough style for vintage style posters, brands or ads maybe for food ads or movie poster. Lavah Pro is supported by OpenType Features with many Stylistic Alternates and Discretionary Ligatures and It's support Arabic, Persian, Urdu and Latin. Designed and Created by Ibrahim Hamdi Copyright © 2019 by Protype Foundry. All rights reserved. Download Lavah Pro Fonts Family From Protype Download Now View Gallery

Download Codec Pro Fonts Family From Zetafonts

Download Codec Pro Fonts Family From Zetafonts Codec Pro is the newest incarnation of the Codec family, developed in 2017 by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli as a research on the subtleties and the variations on the theme of the geometric sans-serif design. The original typeface has been completely redesigned and expanded to feature a wide range of eleven weights, from the hairline thin to the bulky fat, while the character set has been extended to include not only latin, cyrillic and greek but also arabic, farsi and urdu scripts. A veritable swiss-knife for the designer, Codec Pro also includes a wide range of alternates and stylistic sets that cover all the subfamilies and the moods of the original type system. So while the standard set (Codec Cold) has terminals cut parallel or perpendicular to the baseline, emphasizing geometry for a more constructed look, stylistic set 4 (Codec Warm) uses open diagonal cuts and humanist shape

Download Hagrid Fonts Family From Zetafonts

Download Hagrid Fonts Family From Zetafonts Crypto-typography - the passion for unknown, weird and unusual character shapes - is a disease commonly affecting type designers. Cosimo Lorenzo Pancini has celebrated it in this typeface family, aptly named Hagrid after the half-blood giant with a passion for cryptozoology described by R. K. Rowling in her Harry Potter books. Extreme optical corrections, calligraphic counter-spaces, inverted contrast, over-the-top overshoots: all the inventions that abound in vernacular and experimental typography have been lovingly collected in this mongrel sans serif family, carefully balancing quirky solutions and solid grotesque design. Hagrid is a typeface designed for editorial & display use, bringing dynamism to the printed and digital page thanks to its extreme contrast and unique details. It has been developed in a range of six display weights ranging from the monolinear and more traditional thin to the expressive heavy we

Download Graphology Arabic Fonts Family From Hanifonts

Download Graphology Arabic Fonts Family From Hanifonts Graphology is an Arabic typeface and the main focus is on blending traditional and modern rules in the formulation and design of the typeface. Designed with powerful OpenType features in mind. Download Graphology Arabic Fonts Family From Hanifonts Download Now View Gallery

Download Tarif Font Family From Zetafonts

Download Tarif Font Family From Zetafonts Tarif is a typeface family inspired by the multicultural utopia of Convivencia - the peaceful coexistence of Muslims, Christians and Jews in tenth century Andalusia that played an important role in bringing to Europe the classics of Greek philosophy, together with Muslim culture and aesthetics. Designed for Zetafonts by Andrea Tartarelli, is a slab serif typeface with a humanist skeleton and inverted contrast, subtly mixing latin zest, calligraphic details, extreme ink traps, and postmodern unorthodox reinvention of traditional grotesque letter shapes. The exuberant design, perfect for titling, logo and display use, is complemented by a wide range of seven weights allowing for solid editorial use and great readability in body text. Matching italics have been designed with the help of Maria Chiara Fantini and Cosimo Lorenzo Pancini, while Rania Azmi has collaborated on the design of the arabic versio