Ia Golubeva

Shallot Shallot is a serif font family with sharp and exquisite characteristic. The initial letterforms are made not completely based on calligraphic strokes, which make it more likely close to transitional serif style. The letterforms have high contrast strokes and sharp serif with curved brackets. The upright styles have a fairly wide proportion. The italic styles have 12 degree angle and redrawn lowercase letters. Shallot consist of 4 styles from regular to extrabold with each matching italics. It contains 462 glyphs that support broad latin languages. Shallot Download Now View Gallery

Hebrew Classic Tanach This is a font to build an hebrew Bible (Tanach) or any Hebrew prayer book. Hebrew Classic Tanach has all unicode hebrew marks and others like, ShevaNa, Dagesh Chazak, Qamats Katan and Cholam Chaser. You can even hide marks You don't want to use. This font has a complex and exclusive programmation of opentype features. Hebrew Classic Tanach Download Now View Gallery

Hebrew Classic Tanach This is a font to build an hebrew Bible (Tanach) or any Hebrew prayer book. Hebrew Classic Tanach has all unicode hebrew marks and others like, ShevaNa, Dagesh Chazak, Qamats Katan and Cholam Chaser. You can even hide marks You don't want to use. This font has a complex and exclusive programmation of opentype features. Hebrew Classic Tanach Download Now View Gallery

Hebrew Classic Tanach This is a font to build an hebrew Bible (Tanach) or any Hebrew prayer book. Hebrew Classic Tanach has all unicode hebrew marks and others like, ShevaNa, Dagesh Chazak, Qamats Katan and Cholam Chaser. You can even hide marks You don't want to use. This font has a complex and exclusive programmation of opentype features. Hebrew Classic Tanach Download Now View Gallery

Barbou Barbou was originally cut in 1925 by Monotype as a counterpart to Fournier , siblings that were different in design but both based on the work of Pierre-Simon Fournier . Whether by choice, accident or oversight, Fournier was preserved digitally, and Barbou was lost to history. Barbou was notably used by Stanley Morrison , in particular as the face of The Fleuron . I fell in love with Barbou when I saw it, and knew that I wanted to bring it to a new generation of designers and readers. This is a revival of Barbou , a faithful recutting with new weights, characters and many of the best features that modern font technology brings. Particular attention was paid to the original Monotype Barbou 178 specimen sheet. Originally only available in a single weight, Barbou has been recut with a variable weight, providing a large degree of flexibility between Regular and Bold. Barbou excels as a comfortable reading face for books, and the variable weight allows you to fine tune

Barbou Barbou was originally cut in 1925 by Monotype as a counterpart to Fournier , siblings that were different in design but both based on the work of Pierre-Simon Fournier . Whether by choice, accident or oversight, Fournier was preserved digitally, and Barbou was lost to history. Barbou was notably used by Stanley Morrison , in particular as the face of The Fleuron . I fell in love with Barbou when I saw it, and knew that I wanted to bring it to a new generation of designers and readers. This is a revival of Barbou , a faithful recutting with new weights, characters and many of the best features that modern font technology brings. Particular attention was paid to the original Monotype Barbou 178 specimen sheet. Originally only available in a single weight, Barbou has been recut with a variable weight, providing a large degree of flexibility between Regular and Bold. Barbou excels as a comfortable reading face for books, and the variable weight allows you to fine tune

Download Now Server 1 Download Now Server 2 Download Now Server 3 Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms in the Latin are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text. Baldufa Greek Ltn covers Greek and Latin. Download Baldufa Greek Ltn Fonts Family From Lette

Download Now Server 1 Download Now Server 3 Download Now Server 2 Slippery is a warm serif that's formed with the aim of readability. The letterforms is filled with soft edges, spacious counters, moderate x-height, and slippery italics. Download Slippery Fonts Family From Eko Bimantara