Skip to main content

Download Arise Fonts Family From Paulo Goode

Download Arise Fonts Family From Paulo Goode
Download Arise Fonts Family From Paulo Goode Download Arise Fonts Family From Paulo GoodeDownload Arise Fonts Family From Paulo Goode



Arise is a humanist typeface designed for both text and display purposes. Its an understated type family with enough subtle nuances and personality to add distinction to your own typographic compositions. 


As can be seen in the /a/c/f/g/r/y/ glyphs, hooked terminals are a key feature of this typeface. These terminals are blade-like in appearance, defining a distinctive character that is unusual, yet balanced and refined. 


Practical features include 38 capital swash alternates for intial and final forms that can be particularly effective when used in titling and branding situations. Small caps are also included (along with matching diacritics) – these are designed to harmonise with regular lowercase forms so that you may easily achieve unicase-style typography.


There are 18 fonts altogether, with 9 weights from ExtraLight to Ultra in both roman and italic. Arise has an extensive character set that covers all Latin European languages.


Key features:


  • 9 Weights
  • Roman & Italic
  • Small Caps
  • 38 Alternates
  • Old Style Figures
  • European Language Support (Latin)
  • 700+ Glyphs per font.


Download Arise Fonts Family From Paulo GoodeDownload NowView Gallery


Popular posts from this blog

[zvm] Download Crima font by Gatype

Crima Font Family was designed by khaidir, and published by Gatype. Crima contains 1 styles and family package options. Download Now Server 1 Download Now Server 3 Download Now Server 2 About Crima Font Family Crima Font Black Serif totality and elegance. One of the newest releases that can only be done now, naturally drawn with pinpoint accuracy. Crima has the perfect signature and subtlety for your next project. It perfectly represents the retro and vintage aesthetic. I recommend this font for your next logo, invitation, and home decor project that needs a succinct alternative combination touch!The Crima n font comes with available strong characters:Get inspired by the image above and feel free to share with me what you get by using this font. Crima

Download -OC Format Sans Font Family From OtherwhereCollective

Download -OC Format Sans Font Family From OtherwhereCollective -OC Format Sans is the third incarnation of this geometric grotesk sans serif which fuses the style of Futura with the rhythm and proportions of Akzidenz. It comes in two styles, standard and a new Print family where crisp sharp edges have been made blunt in reference to the ink spread that occurs when printing on uncoated paper stock. It can give digital media a softer more approachable analog aesthetic. Typical of both grotesk and geometric styles the design has an even weight with minimal stroke contrast and the slanted form is an oblique rather than a true italic. The default double-story ‘a’ and ‘g’ give an academic touch, the single story versions of Set 1 are more friendly and approachable while Set 2 changes the look into something more scientific. Made with tireless attention to detail and kerning it's perfect for logotypes and extensive text, supports multiple languages and comes with ...

Download Akin Font Family From Indian Type Foundry

Download Akin Font Family From Indian Type Foundry Akin is a monolinear script typeface designed in a single weight. Its letters’ designs combine geometric elements with a retro aesthetic, swashes, and a steep slope. Characters’ sides are straight, giving the typeface a condensed feeling overall. Akin’s design language feels reminiscent of both the 1950s and the 1990s, but there isn’t just one specific style that it cites: Akin is a timeless face, which looks like it could have always been a part of graphic design. Like almost every good OpenType script font, Akin has a lot of alternates. The most prominent feature is the font’s swashes. Swashes of various lengths can be automatically applied via an OpenType feature that reads the surrounding characters – in both directions – and inserts swashes that sweep above or below two or even three other letters (the font knows better than to let its swashes collide with capital letters, ascenders o...