[xtlosovejx] Download AC Honey Bee Fonts Family From Will Albin-Clark

Honey Bee is a type family developed over the course of 2020. Consisting of two sub-families that share the same DNA of two opposing styles.

Honey Bee Serif is a transitional modern serif with some reference to fundamental letterforms. Honey Bee Sans is a low contrast semi-geometric sans serif with bold rounded letterforms.

These typefaces were made in unison, designed for perfect font pairing for a variety of projects and intensions. It’s design is ideal for small and large scale, with the distinct characters of the Sans family and funky headlines or titles with the stylistic Serif Italic. Super legible and a variety of characters allow for multi-lingual use.

Download AC Honey Bee Fonts Family From Will Albin-Clark

Download Hawkes Fonts Family From Kimmy Design

Download Now Server 1 Download Now Server 3 Download Now Server 2 Hawkes is an extensive handmade typeface family that comes with a bundle of weights, widths and styles, all designed to work cohesively. Here is a breakdown of the Hawkes family. Hawkes Sans: The primary subfamily is a sans-serif typeface that includes nine fonts: three weights (light, medium and bold) and three widths (narrow, regular and wide). Within this set are an array of stylistic features; including small capitals, character style alternatives, discretionary ligatures and contextual alternatives. See details below for more information on OpenType Features. Hawkes Variable Width Sans: The secondary subfamily is the same base sans-serif fonts but combined in variating widths. Essentially, it takes all three widths of each weight and randomly mixes them together. This creates a funky and

[pyrbp] Download Minigap fonts from Gravitype

Minigap Minigap is a geometric sans serif family that has a minimal height difference between upper and lower case. In other words if you’re into typography, it has a very high x-height... yes, very high. The choice was made to finally have a typeface that could appear very neat, reducing ascending and descending parts of the glyphs (b, d, g, j, l, ...) that could interfere with the lines above and below. All of that without going to extremes in a unicase style but also without renouncing to a great legibility. This aesthetic, in fact, translates into a pleasant visual effect that creates well-defined lines and enhances the layout, looking excellent on small screens. A meticulous optical correction, starting from pure geometric lines, was applied to every glyph, aiming to obtain the best version of each. The pointed corners of capital letters and numbers have been kept even in the heavier styles, to give consistency to the family. You can clearly see how clean they look. Stylist

Download Palsam Pro Fonts Family From Abjad

Download Palsam Pro Fonts Family From Abjad Since the beginning, Palsam was intended to be a super multilingual family, with a real cursive Arabic companion, and a display cut. The typeface was designed to be used for setting text and titles of contemporary Arabic content, specially magazines, and websites. The Arabic and Latin scripts were designed at the same time, to make a true authentic bilingual typeface. Both scripts have affected each other in several ways through the entire design process, which happened within ten years. Palsam has an inviting, approachable, fashionable and humanist look. Thanks to its low contrast, open apertures, detailed calligraphic strokes, and smooth counters, which also make it easy to read at smaller sizes. The main highlight for Palsam was the Cursive companion. For the first time, the calligraphic Ijaza style was used as a model for designing the Arabic cursive. Since the Ijaza is a hyper combination of Naskh and Thuluth, which

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