Skip to main content

[xervgcdyio] Download VVS Nobleman Fonts Family From Vintage Voyage Design Supply

Download VVS Nobleman Fonts Family From Vintage Voyage Design Supply


Proud to Introduce you a Nobleman — classic serif full of modern mood. Nobleman is the result of a searching of basic serif with some interesting elements which bring this stylish modern look in your typographic. The high contrast between thick and thin strokes gives Nobleman so stylish look. Full of opentype features as an alternates, ligatures, fractions, old style and tabular figures and the Small caps. Nobleman has a True Italic style and special style for the small body texts which one has more softly contrast strokes to being more readable.




You can be classic and conservative with basic set, a little bit more playing with few alternates or absolutely wild-stylish with full of alternates. It makes the Nobleman is very useful font.




Up to 9 styles of alternates for each letter and 46 ligatures. Additional style of "g" and "y" letters and of course Michelangelo's manicule symbol. 




Multilingual




Nobleman can be used for both as for headers or sub-headers, and for body texts. In the Magazines, Logo's, Brochures, Posters, Web-Services, Vlogs etc. 




760+ Glyphs per style




Enjoy!



Download VVS Nobleman Fonts Family From Vintage Voyage Design Supply


Popular posts from this blog

Download Hawkes Fonts Family From Kimmy Design

Download Now Server 1 Download Now Server 3 Download Now Server 2 Hawkes is an extensive handmade typeface family that comes with a bundle of weights, widths and styles, all designed to work cohesively. Here is a breakdown of the Hawkes family. Hawkes Sans: The primary subfamily is a sans-serif typeface that includes nine fonts: three weights (light, medium and bold) and three widths (narrow, regular and wide). Within this set are an array of stylistic features; including small capitals, character style alternatives, discretionary ligatures and contextual alternatives. See details below for more information on OpenType Features. Hawkes Variable Width Sans: The secondary subfamily is the same base sans-serif fonts but combined in variating widths. Essentially, it takes all three widths of each weight and randomly mixes them together. This creates a funky and

[pyrbp] Download Minigap fonts from Gravitype

Minigap Minigap is a geometric sans serif family that has a minimal height difference between upper and lower case. In other words if you’re into typography, it has a very high x-height... yes, very high. The choice was made to finally have a typeface that could appear very neat, reducing ascending and descending parts of the glyphs (b, d, g, j, l, ...) that could interfere with the lines above and below. All of that without going to extremes in a unicase style but also without renouncing to a great legibility. This aesthetic, in fact, translates into a pleasant visual effect that creates well-defined lines and enhances the layout, looking excellent on small screens. A meticulous optical correction, starting from pure geometric lines, was applied to every glyph, aiming to obtain the best version of each. The pointed corners of capital letters and numbers have been kept even in the heavier styles, to give consistency to the family. You can clearly see how clean they look. Stylist

Download Palsam Pro Fonts Family From Abjad

Download Palsam Pro Fonts Family From Abjad Since the beginning, Palsam was intended to be a super multilingual family, with a real cursive Arabic companion, and a display cut. The typeface was designed to be used for setting text and titles of contemporary Arabic content, specially magazines, and websites. The Arabic and Latin scripts were designed at the same time, to make a true authentic bilingual typeface. Both scripts have affected each other in several ways through the entire design process, which happened within ten years. Palsam has an inviting, approachable, fashionable and humanist look. Thanks to its low contrast, open apertures, detailed calligraphic strokes, and smooth counters, which also make it easy to read at smaller sizes. The main highlight for Palsam was the Cursive companion. For the first time, the calligraphic Ijaza style was used as a model for designing the Arabic cursive. Since the Ijaza is a hyper combination of Naskh and Thuluth, which